Hae-su works at a factory on the outskirts of Seoul. Returning home from work, she makes a phone call that goes to voicemail; nearing her residence, another phone call comes in, but she doesn't pick up. Inside the house is her mother's body—she died from mysterious circumstances. A knock on the door goes unanswered, but when a plainclothes police officer arrives, Hae-su lets him in. An exchange of documents, uncertain glances. With Hae-su and her tempermental brother the only attendants at her mother's funeral, there are more questions than answers.

Estranged siblings Elizabeth and Danny reunite in their childhood home after the death of their eccentric mother. Without a will or any instructions, old wounds are quickly reopened and disagreements abound. A Ouija board may be the only way for “Mom” to provide the guidance they both desperately seek.

暂无英文版的简介，请添加内容帮助我们完善数据库。

Spit and Ashes is a reimagining of the historical violence waged against women by patriarchal forces in the name of religion, medicine and family. The High Priestess embodies the wild, sexual and grotesque - the un-tamable hunger of female desire and the ultimate threat to male power. The Midwife is the spirit of all women who sought knowledge and agency over their own bodies and paid for their agency with their lives. Through a series of erotic and brutal rituals these women come together to reclaim their bodies and prepare for the fight ahead.

This labor advocacy film is about diseases plaguing miners in Kansas, Missouri and Oklahoma. Sponsored by the Tri-State Survey Committee, "Men and Dust" is a stylistically innovative documentary and a valuable ecological record of landscapes radically transformed by extractive industry.

The warlike and sentimental adventures of a young French knight who participates in the crusades.

Social Burden's 3rd full length skate film.

Three stories from the Mediterranean region that deal with feelings of loneliness, disappointment and transience, and efforts to overcome them.

Barbara is an assertive, clever, liberated woman, her own boss. Who'd think she could be swept off her feet by a handsome stranger for whom she'd give up her career, London, everything? Especially as her new husband maybe wants to kill her.

America has yet to heal from the trauma of its darkest era, and Winfred Rembert is living proof of that. Rembert, who lived on a plantation, joined the civil rights movement as a teen and was put to work on a chain gang, is a rare survivor of a lynching attempt. Decades later, he still carries the scars. “That lynching is on my back, and it’s dragging me down, even today,” he says. As he etches the history, bloodsoaked and cruel, into leatherwork, fellow artist Dr. Shirley Jackson Whitaker organizes a different kind of ceremony to search for healing. “It’s not just black history,” she says. “This is American history.”